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artist: Frédéric Nauczyciel



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Untitled (Boîte à prière, Istanbul, Novembre 2005)
© » KADIST

Frédéric Nauczyciel

Photography (Photography)

This early photographic work by Fre?de?ric Nauczyciel, titled Untitled (Boîte à prière, Istanbul, Novembre 2005) , features a young man in religious attire reading a religious text from inside a glass prayer box. Seemingly truncated by the shadows cast upon his seated position, the man is dramatically illuminated by a white neon light above. The harsh synthetic light reflects off of the man’s white robe and the glass box to create a haunting, artificial glow.

Arbol y Pelicao (Tree and Pelican)
© » KADIST

Federico Herrero

Painting (Painting)

Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.

France, détours, episode 2: this line is your path
© » KADIST

Frédéric Moser, Philippe Schwinger

Film & Video (Film & Video)

In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each. On each episode a little boy and girl are firstly asked about their daily lives. By broadening the scope of the interview, the questions of Godard and Mieville gradually bring the protagonists to think of themselves as subjects in the history of the world, to “live and see themselves on television” with a critical point of view.

Federico Herrero